Jamie Lee Hamilton (1955 – 2019) was a trans, Two-Spirit, Indigenous woman, and organizer who fiercely advocated against the past and ongoing criminalization of sex work in Canada. Her work propelled people to notice and think critically about anti-sex work sentiment, and liberal discourses that frame sex workers as victims in need of rescue, rather than as empowered organizers who worked together across multiple issues to resist the erasure of vital histories of sex work in Canada, as well as the violence that such erasure makes possible. Drawing on sex worker activism throughout the 70s-80s—what Hamilton referred to as the “golden age of sex work in Vancouver”—Hamilton’s interview with the AAHP documents powerful histories of organizing across multiple issues, and underscores the importance of resisting isolation and erasure through collective action and intergenerational remembrance practices (T48/3).
Hamilton’s activism demonstrated the radical potential of organizing across multiple issues for change-making. Her interview documents many moments in which sex workers in Vancouver came together and worked collectively to resist their attempted erasure by civil society organizations such as Concerned Residents of the West End, and by various levels of government through legislation such as the city’s Street Activities By-Law, and the province’s 1984 injunction against sex workers. Amidst this context of anti-sex
work sentiment, and the violence it made possible, Hamilton highlighted the formation of sex worker-led organizations that were directed towards their empowerment and safety, such as the Alliance for the Safety of Prostitutes, the Women’s Information Safe House, and Prostitutes and Other Women for Equal Rights. Amongst many other initiatives, Hamilton helped create various harm reduction strategies for sex workers, such as creating some of the first “bad date sheets”, through which sex workers protected each other by documenting the license plates, vehicle descriptions, and physical descriptions of dangerous clients (T48/7). She also organized a “shoe dump” action at City Hall. Recognizing that many of the sex workers missing were Indigenous, Hamilton reached out to the United Native Nations to join in the dumping of 67 pairs of shoes at City Hall—one pair for each of 67 sex workers noted to be missing at the time (T48/12). In doing so, Hamilton demonstrated that the protection of sex workers required an ongoing commitment to the dismantling of settler colonialism.
Hamilton’s fierce advocacy for organizing across multiple issues shone through in her involvement with AIDS organizing. In response to British Columbia’s 1980s quarantine legislation, sex workers and drag queens came together with lesbians, bisexuals, gay men and others to fight it by forming the Coalition for Responsible Health Legislation, visiting the city’s fourteen gay bars on weekends to do awareness campaigns, mobilize, and to fundraise. Observing that, initially, it was predominantly gay men who were getting sick, Hamilton remembered thinking that “This isn’t right that they can be locked up and quarantined”, and noted that upon remembering sex worker’s “own battle,” having felt “this amazing connection of solidarity” (T48/8). Hamilton recalled thinking, “Like, we’re not going to allow our brothers, and then later women as well, to be treated in this manner. Because we remembered how we were treated, as well” (T48/8).
As a community mobilizer and organizer, Hamilton remained cognizant of the violent impacts of isolation on those for whom mainstream community organizing was inaccessible and unaccountable. In particular, Hamilton’s interview problematized the isolation of trans AIDS patients in Normandy Hospital, away from the broader LGBTQ community, which she observed was a key factor in their mistreatment. Hamilton recalled that
“Then at one point our trans community were – and I don’t know why this happened – they were being placed at, you know if they had AIDS, they were being placed at this private hospital way out in the West side on Arbutus Street called the Normandy Hospital. And it was awful … you know, I’d visit a friend or two in there, and it was just very alien for them, you know.” (T48/9)
She explained further that,
“Still to this day I don’t understand why. I realize there wasn’t much, but we could have worked together, put our heads together. And why Normandy Private Hospital was chosen as a rest home? It didn’t make sense. It was way out of the downtown core where our community is.” (T48/9)
In response to the isolation of members of the trans community, and the mistreatment and violence they were consequently subjected to away from the public eye, Hamilton began raising “awareness around trans issues and AIDS…,” simultaneously educating trans people on the use of condoms, while fighting their isolation by ensuring their inclusion in broader 2SLGBTQ AIDS organizing (T48/9). Her interview reflected her ongoing commitment to fighting isolation, ensuring that those sent to Normandy Hospital were included in the process of documenting AIDS activist histories.
Hamilton’s work against the isolation of trans AIDS patients was part of her broader commitment to resisting erasure, systemically as well as at the level of the everyday. She emphasized the importance of intergenerational dialogue and coalitions, underscoring the need for subsequent generations of activists to learn from and build on the work and strengths of their predecessors, stating that “I think you need to respect the elders, and learn from the elders” (T48/18). Hamilton’s resistance to erasure was driven by her deep commitment to maintaining active communities that are ready and mobilized to respond to new and ongoing attempts at all levels of systemic erasure, explaining that “at any time things can change, policies can change. We could have another quarantine legislation. We could be threatened with it. You just never know who the lawmakers are going to be… [sigh]” (T48/18). The urgent task for future generations is to learn from our predecessors—not solely to acquire the skills and tools needed to do anti-oppressive work, but also to learn to think collectively across multiple issues and generations in doing so.
Jamie Lee Hamilton was a vital force in building the sense of collectivity needed to resist so many attempts at the erasure of sex workers, Indigenous peoples, trans people, and broader 2SLGBTQ communities. Towards the end of her interview, Hamilton expressed that “We’ve lost so much of all that history. In a way, I’m happy that I got to be around it in the heyday. I just don’t want to see complete erasure” (T48/19). It is not possible to fully commemorate Hamilton in writing alone. What is possible, however, is her commemoration through action—that is, by learning from the wealth of knowledge she generously gave in words and in action, and using it to build and nurture the “connections of solidarity” that drive and sustain us (T48/8). Rest in power, Jamie Lee Hamilton.
Médecins de Coeur [Doctors of the Heart] is a National Film Board-funded documentary that focuses largely on Dr. Réjan Thomas, one of the co-founders of the first STI clinic in Canada in 1984. This clinic would become what we know of today as Clinique médicale l’Actuel in Montreal, one of the leading STI and HIV prevention and treatment centres in Canada. While the film builds its central narrative following Dr. Thomas to and from classrooms, clinics, and international conferences where he educates the film’s viewers about HIV/AIDS, activists and protests provide a rowdy backdrop to what is otherwise a somewhat monotonous two hours of talking heads.
The film opens with scenes from numerous ACT UP Montreal actions at what is now an HIV/AIDS memorial park called Parc de l’Espoir (corner of Panet and Ste. Catherine streets). Many interviewees of the AAHP that were involved in ACT UP Montreal recall the fight to establish the AIDS memorial park in some detail. Check out our interviews with Glenn Betteridge, Michael Hendrick and René Leboeuf, and Earl Pinchuk for the inside scoop.
Two other notable AIDS activist-related scenes in the film include: Douglas Buckley-Couvrette, who is remembered lovingly by many Montreal AAHP interviewees, leading an ACT UP Montreal demonstration commemorating the murder of Joe Rose; the Amsterdam VIII International AIDS Conference where sex worker activists launched the Global Network of Sex Work Projects—and in fact you can see a young Andy Sorfleet amongst the picketing sex workers in the footage.
Lastly, of note, is the constant discussion of the cost of medications to treat HIV and opportunistic infections. That is because this 1993 documentary precedes the 1997 Quebec national pharmacare program brought in by the recently elected Parti Québécois in late 1994. ACT UP Montreal launched a multi-year campaign to include HIV-related treatments under the maladies sur pieds social welfare program to no success under the then-Liberal Party provincial government. This program was designed to provide funding for treatments in order to keep people with chronic illness medicated so they wouldn’t constantly be at the hospital or in a clinic. The push to add HIV/AIDS to the list of illness treated through the the maladies sur pieds program likely helped in the push for a national pharmacare plan in Quebec, claims Michael Hendricks in his interview with AAHP.
Thirty years ago, in February 1988, AIDS ACTION NOW! convened its first public meeting. Arising out of a fierce and fabulous gay liberation movement that had already consistently confronted police violence and state oppression, their activist work has been absolutely vital in the fight for health justice in the Canadian context. At the AIDS activist history project, we have learned so much from interviews with activists in Toronto about the important early years of their work. George Smith was a vital part of that origin story, and we are delighted to lift up and explore a bit of his work in this feature.
Nous sommes fières et fiers de vous présenter l’enregistrement d’une présentation de l’histoire du SIDA au sein de la communauté haïtienne à Montréal. En 1983, les personnes d’origine haïtienne ont été associées au SIDA dans les médias et dans les politiques publiques au Québec, notamment par une déclaration de la Croix-Rouge canadienne (10 mars 1983). Cette conférence a présenté cette histoire, pour ensuite documenter la réponse de la communauté haïtienne. Les infirmières d’origine haïtienne ont été centrales à la réponse au SIDA, et ce panel a souligné leur contribution. L’activité avait deux éléments : une présentation plus formelle de cette histoire, suivi d’un échange avec trois infirmières qui ont réalisé ce travail.
Merci à Viviane Namaste, Marlène Rateau, Maud Pierre-Pierre, et Marie-Luce Ambroise pour leur participation.
For the 2018 International Women’s Day we want to highlight the brilliant work of Canadian women who have challenged and informed audiences with their activist films and videos for nearly 30 years. The collection of videos featured below focus on many aspects at the intersection of HIV and women’s experience, from lesbians and sex workers to immigrants and women of colour. The variation in content is matched by variation in form: narratives, animations, documentaries, experimental shorts, public service announcements, featurettes, and features.
While we wish all of these videos were available for streaming online, some are not. All titles are linked to streaming video or information about distributors that carry these titles.
Debbie Douglas & Gabrielle Micallef (1960-2011) – AnOther Love Story: Women and AIDS (1990)
Beginning with an opening scene that mirrors Lizzie Borden’s Working Girls (1986), a lesbian interracial couple wake up in bed with one rushing to get up and out the door. In AnOther Love Story, the young woman rushing out the door is headed to a doctor’s appointment to do an HIV test. The narrative built around this couple’s relationship structures the video which aims to illustrate the issues facing women and HIV, and lesbians and racialized women in particular. Douglas & Micallef’s video appeared as part of the Toronto: Living With AIDS cable access series along with Glace Lawrence‘s The Colour of Immunity (1991) that we’ve written about previously. AnOther Love Story was also recently featured at an encore screening in Montreal for the 10th edition of Massimadi. Unfortunately, this video is not available streaming online, but it is available from Vtape.
Le Récit d’A, The Story of A, is an experimental travel diary. The video combines medical imaging, desert landscapes, and images from the author’s trip to visit a friend named Andrew in San Francisco. The accompanying voiceover track switches between philosophical musings about mortality and what we leave behind vis-a-vis Susan Sontag and Edmond Jabès, and an interview with Andrew, a gay friend struggling to survive with AIDS. Jumping between English and French, this very Montreal short is credited with reanimating the Quebec art scene to respond to the crisis. Le Singe Bleu, retitled The Measure of Your Passage in english, is a philosophical mediation on living in the face of assured death. The film is part historical research on the disappearance of Minoan civilization—similar in style to what one would see on the History Channel today—and part reflection on the mass scale of death from the AIDS crisis. Much like Le Récit d’A, Valiquette’s introspective and autobiographical approach to filmmaking renders the philosophical musings on mortality at the height of the AIDS epidemic all the more visceral. And not to be missed is the video footage from the ACT UP Montreal World AIDS Day Women’s March in 1990 towards the end of the film, as this event was often noted in our project’s oral history transcripts. This beautiful National Film Board funded featurette won a Genie award for best short documentary in 1993 and is available streaming online in french and english.
Gwendylon – Prowling By Night (1990)
This twelve-minute animation film was produced as part of the National Film Board’s Five Feminist Minutes program, a compilation of short films to celebrate the 15th anniversary of Studio D.Prowling By Night animates the true stories of sex workers in Toronto’s Parkdale neighbourhood in the 1980s and highlights instances of police harassment, safe sex education, and sex worker’s rights. This film won the award for Best First Short Film at La Mondiale de films et vidéos réalisés par des femmes in April 1991. Unfortunately, the National Film Board has yet to make this video publicly available on their website.
Les Autres begins with a scene reminiscent of Stuart Marshall’s Bright Eyes(1986), where viewers are schooled in media literacy, examining troubling mainstream media representations of HIV/AIDS. The video continues in vignettes: women in a lesbian bar discussing condoms and safer sex; two high school girls talking about sex education in schools; a woman sitting on her bed demonstrating safe sex practices while discussing sex amongst women and lesbians; ACT UP Montreal protest footage; two women from GAP-SIDA (precursor to GAP-VIES) discussing HIV prevention amongst racialized women; documentary footage from an HIV/AIDS art show. In this montage video you can also find a young Karen Herland from Réaction SIDA whose AAHP transcript can be read here.
Safe Soap was produced as part of an artist residency hosted by Michael Balser at the Banff Centre and programmed as part of the Second Generation PSA compilation (along with nine other artists). Two 30-second versions were created, one heterosexual, the other lesbian themed. More can be learned about both these two videos by checking out the AAHP transcript of Golden, available in both english and french here.
This documentary features the voices of nine women living with HIV from across the globe. Based on her co-edited book with the same title, Taylor presents powerful first-person testimonials about the challenges of being an HIV+ woman in the early ’90s. Importantly, this video highlights the medical negligence and bureaucratic denial that created such grave challenges for HIV+ women in the first place. Unfortunately, this video is not available streaming online, but you can check out Vtape for more information about getting your hands on a copy.
One of the most important video makers working on HIV/AIDS today, Duke has produced three community-based documentaries focused on women and HIV over the last decade. Paying close attention to the intricacies of HIV criminalization in Canada, Duke’s two most recent works provide an important overview of the debates over sexual assault law and HIV non-disclosure—particularly as it affects women and people of colour. Toronto-based Duke’s video collaborations with Women’s Health in Women’s Hands Community Health Centre and the Canadian HIV/AIDS Legal Network harken back to the artist-community organization collaborations at the heart of the short-lived Toronto: Living With AIDS cable access series from the early 1990s.
The Canadian AIDS Memorial Quilt has its roots in San Francisco, where a group of people came together in 1987 to create a living memory for those who have died of AIDS-related causes. In 1989, the U.S. AIDS Memorial Quilt went on tour across the United States and Canada. Many cities in Canada hosted their own displays, where they received hundreds of new panels that were created in memory of those who lost their lives during the HIV/AIDS crisis. These panels formed the basis for what is now the Canadian AIDS Memorial Quilt, which is comprised of more than 640 panels and over 80 sections.
The Quilt Website
Today, the Canadian AIDS Memorial Quilt is under the care of the Canadian AIDS Society. Their newly redesigned website features a virtual viewing experience, where visitors can search through and explore individual panels and sections. A living memorial of those whose lives have been lost, the Quilt is an important part of the rich history of HIV/AIDS-related activism and resistance in the Canadian context.
While Nick Sheehan’s No Sad Songs(1985) is often cited as the first feature documentary about HIV/AIDS in Canada, it was predated by an interesting cable access program based in Vancouver, BC. Running monthly from 1980-1986, Gayblevision was groundbreaking in many ways—most notably its role as Canada’s first television series by and for queer viewers. Its period of operation also overlaps with the emergence of the HIV/AIDS pandemic in Canada, and HIV/AIDS-related content appears in numerous episodes. From public service announcements, to in-depth analysis of mainstream media coverage, to press conferences, to direct address by PLWAs to other HIV-positive people, Gablevision covered the early years of the epidemic in ways no one else did in Canada. All in all, Gayblevision produced over 3 hours of HIV/AIDS related content for distribution on cable television in Vancouver. The Facts On A.I.D.S., produced as a special by Gayblevision in 1983, is the most concerted effort by this group of queer media activists to produce HIV/AIDS content. Ranging in focus, the special primarily functions pedagogically, educating viewers about medical and societal understandings of the disease at a time when little information was available, let alone non-judgemental. This episode also outlines the need for and emergence of a community response to the health crisis via AIDS Vancouver. A full description of the special with timestamps is available here.
A full list of Gayblevisions episodes are available streaming online thanks to one of Canada’s oldest artist-run centres, VIVO Media Arts Centre. Special thanks to Karen Knights at VIVO for her insight into the Gaybelvision collection!
The Legacy of Jon Gates (1993) – 52 minutes, colour, english
by Peter Davis & Harvey McKinnon
Jon Gates moved from Vancouver to Ottawa in 1989 to push Canadian-based international development agencies to deal with the AIDS crisis in the global south—particularly sub-Saharan Africa. He worked for the International Committee for AIDS and Development (ICAD) where he would interface with the groups like Oxfam, the Canadian Council for International Cooperation, and the Red Cross. At the heart of Jon’s international solidarity activism was a call for people in the global north to refuse a therapeutic vaccine or cure for HIV until the pharmaceutical companies, who would no doubt control the supply and prices, made it accessible to the global south. His speech pre-dates the successful triple-combination therapy announced at the World AIDS Conference in Vancouver in 1996, but he had a clear view of the future to come and the challenges that would accompany it. Had Jon survived until triple-combination therapy had become a regular treatment regimen for HIV infection, undoubtedly he would have had much in common with renowned South African treatment activist Zackie Achmat, refusing treatment until it’s available to all.
Gates’ call for international solidarity was most clearly articulated in his keynote speech at the 1992 Canadian AIDS Society meeting shortly before his death and captured in the documentary from Villon Films posted above. To learn more about Jon Gates’ work, check out the video above and/or read our oral history interview with John Foster.
Anyone who tells you that AIDS activism was only a bunch of white gay men who got mad because suddenly their community experienced oppression isn’t telling the whole story. It’s understandable that people get history wrong when, as Suraj Madoori recently wrote: “Even after 35 years of HIV/AIDS, the stories of critical Black activism are notably absent in the dominant media and movement narratives.” Consider for example the narrative of the film How to Survive a Plague, which presents the history of AIDS activism in the US as mainly about the interventions made by white gay men involved in treatment activism. There are so many stories that haven’t been told, have been forgotten, or that have been only partially captured. Anti-Back racism impacts on the dominant AIDS narrative, whether it be the racist construction of “African AIDS” or the systematic forgetting and eclipsing of Black AIDS activism and organizing.
While the AIDS crisis is a condensation of many social relations including sexuality, gender, race, class and much more, often when only the ‘sexuality’ part is focused on and separated from the web of relations it is part of a white gay men’s narrative emerges. While in no way denying the devastation that the AIDS crisis inflicted on white gay men and the importance of their activism, this is only a part of the story.
Early on, societal responses to AIDS often cited the so-called “4-H” conception of who was affected (Haitians, homosexuals, hemophiliacs, and heroin users). From the beginning in Haitian communities, especially in Canadian cities like Montreal and Toronto, activists had to fight against anti-Black racism not only from the Red Cross, the government, and the medical profession, but also from many of the AIDS Service organizations. Since the emergence of the pandemic, many responses from governments on down to the individual level were racist, ableist, anti-drug-user, as well as being gay-hating. Talking with AIDS activists about the history of their work reminds us over and over again about the ways history—and how we tell it—matters. For World AIDS Day 2017, we’re taking a cue from the New York City-based organization Visual AIDS to reflect on the place of Black activists and cultural workers in the histories of AIDS activism in the Canadian context. This year’s Day With(out) Art commissioned video programming centres Black narratives within the ongoing AIDS epidemic; there are vital threads of connection between this contemporary work and the histories we are documenting in the AIDS Activist History Project.
Many of our interviewees reflected on the role race and racism played in the Canadian government’s responses to AIDS, and on the important activist work of antiracism and community organizing within racialized communities. In this short post we want to highlight just a few of the key interviews we’ve conducted thus far that speak to the vibrant work people did. This isn’t a comprehensive narrative of this critical, often ignored work, but a snapshot direct from activists who were there. So continue on for a hint of the amazing work they did organizing with the Black Outreach Project, Black Coalition for AIDS Prevention (Black CAP), and Community Organizations Mutually Battling AIDS Together (COMBAT). It is also important to note that this work organizing in Black community spaces was often in direct solidarity with other groups organized around racialized subjectivities, including Zami, Khush, Alliance of South Asian AIDS Prevention [ASAAP], Gay Asians Toronto [GAT] (later Asian Community AIDS Services), the AIDS Cultural Network. As Anthony Mohamed told us, many of these groups “are still alive today and still doing wonderful work within the various communities that they’re a part of.”
On the East Coast in Halifax, Kim Bernard was the founding organizer for the Black Outreach Project, which originated from the Halifax-based PWA Coalition. Kim told us “I believe that the Coalition saw that there was nothing being done in the Black community around HIV and AIDS education, awareness, information and that there was no support for people that have identified as being HIV-positive. I do commend them for recognizing that as a problem in our community and a gap.” Kim’s work was funded by a grant, and at the start she was the only person working on the project. She remarked, “Then they got a grant to hire somebody. It’s a typical thing, you only have one person, so when you only have one person trying to cover all of the Atlantic provinces… That can be challenging.” She went on to set up a vibrant board to support the project, to hire students to work with her (one of whom took over the project when Kim moved on), and to make meaningful connections in Black communities across the east coast. Part of that work was a multi-level “needs assessment” to figure out what the situation actually was for Black people in the Atlantic provinces in terms of HIV and AIDS; Kim and her team wrote up a comprehensive report about their findings from that work. In our discussions with her, Kim also highlighted the ways that, although the PWA Coalition recognized the need to do work in Black communities, they didn’t confront the systemic racism that structured all of the responses to HIV and AIDS. As she said, “There are probably individuals in the system that get the point but when the whole system is racist, it becomes an institutional/systemic issue. It is difficult to see change.” Kim had brought some of the material from the Black Outreach Project to our interview with her, which we were able to scan and include in the archival materials files; there is a wealth of amazing material there.
In Toronto, Douglas Stewart told us about the rich web of organizations and community formations through which his and other people’s political work around HIV and AIDS arose. He said, “part of the larger context here is trying to identify a space for Black queer people to be able to name and identify our own experience, and to figure out what life can look like beyond that. Let me just say, personally, that’s why I got involved. And then other people came with some of that, but other interests as well in terms of being in those spaces for those conversations. And so I think that part of that was also really figuring out where and when and what that looks like in relation to different kinds of movements that are part of my identities, so being queer, being Black.” Doug was centrally involved with the formation of Black CAP (Black Coalition for AIDS Prevention), a community organization that was celebrating its 25th anniversary the summer we did this interview with Doug. He narrated their beginning, saying, “it was important for, again, some of the reasons I just talked about in terms of the barriers to people even being engaged in HIV and AIDS, where the conversation was situated, where it was seen as coming from, and who was part of that conversation? So, part of it was to partner with a respected Black community organization. At that time it was Hara
mbee, and it was a social service community organization. And so we were based in their offices… So, it’s now a Black community conversation.” Doug also importantly drew lines of connection between early work in these historical contexts and contemporary struggles that groups like Black Lives Matter continue to wage. He reflected on how oppression shapes the conditions of our work, saying, “part of it’s about how we have to always own and acknowledge how white supremacy and racism and heterosexism is still integral in how these systems are set up… And so even when we have these initiatives that are somehow supposed to be pushing against that, we’re always negotiating and making deals with all of that, at all kinds of levels. And so it just feels like we’re in this messy game continually.”
Dionne Falconer was involved with Black CAP in those early years. She had been part of the Toronto-based Black Women’s Collective (BWC), which did vital political work including challenging white hegemony in the BWC feminist movement and published their own newspaper. Through her involvement with BWC, Dionne joined the work that Black CAP was doing. She reflected on her experience as a young organizer doing outreach work, saying: “So, you have all of the issues interspersed, intermingled and addressing them, because that’s one of the things that HIV does is that it does bring all the issues together and you can’t always tease them out or pull them apart. You’ve got to address them all at once.” And as Dionne articulated, it was vital to have groups like Black CAP because, as she told us, “I mean there was AIDSphobia and the stigma around living with HIV, but also people didn’t want to go in a place where they didn’t see themselves reflected. And that’s also the reason for a place like Black CAP. Just like the reason for why ASAAP started—or any of the other groups was that, again, people want to see themselves reflected and feel like, ‘Oh, this is a much more welcoming environment.’ … Or, the way that they were treated when they went in, like, i.e. you’re coming in for services and no one’s paying attention to you. It’s like you’re invisible. And so, I think that those kinds of situations happened for people and thus also meant that, ‘You know what? I don’t want to go back.’ Suddenly, you’re also trying to deal with HIV, you’re hearing a lot of things … Because, remember, these are early days, so treatment is not what we see today. People are dealing with all kinds of illnesses and sometimes not fully understanding what exactly is going on in their bodies, struggling with it, not wanting to go to the doctor’s, not connected to an HIV doctor, so for all of those kinds of reasons.”
Although we haven’t talked with her directly yet (if anyone knows where she is, contact us!) Jackie Wilson was another vital force in early AIDS activism in Toronto’s Black community. She organized a group called COMBAT (Community Organizations Mutually Battling AIDS Together). Sri, a white activist who supported Jackie’s work, told us, “COMBAT was mainly focused on women and thereby had to focus on straight families. Jackie said, ‘The best access to straight families in the Caribbean communities in Toronto was through the storefront churches, so that’s where we are going to go. Every week, we are going to talk at the storefront churches. You are going to make sure the PA is working for me. You are going to make sure all the logistics are happening. You are going to hand out flyers and things.’ He continued, ‘And basically, she said if you come in, if you approach a Jamaican church as a queer organization, they’re just not going to let you though the door. The message is just never going to reach its target. And that was her position, so she said, ‘I’m going to be the straight lady working with straight people about how they get AIDS and how they are at very, very high risk, and any denialism is going to stand as a barrier to that.’ And she basically said, ‘Look. I can go places Black CAP will never get into.’”
Jackie has also shown up in our interviews as raising key questions about Black community concerns at a pivotal retreat that AIDS ACTION NOW! held at the Hart House Farm in 1989, which sparked a series of conversations about interlocking oppressions as they manifest in people’s experience of HIV and AIDS. Gary Kinsman remembered Jackie’s intervention at the Hart House retreat in his interview for the project: “And Jackie was raising important questions about racism and racialization, but also about how to do AIDS work in communities of people that were not gay-identified at least—how to do that. It was also raising questions then not only about treatment access but about all of the sorts of issues related to AIDS and HIV… So, some sort of notion of broadening this out to include especially issues and areas of concern related to people of colour and to women. I mean that was raised, I think, in some important ways at this retreat and there was some major resistance to that.” At many points in our interviews we heard people reflect on how AIDS organizing pulled them to reflect on the complexity of people’s entangled political identities – that while many of them may have started from one subject position, much of the work really required having a complex, intersectional approach. Activist Renee du Plessis told us, speaking about her inspiration to take leadership from the people most affected by systemic oppression in responding to HIV and AIDS, “I think I would say the challenges were that the group that was the most affected was not exclusively well educated, with a multitude of resources. Gay men also included poor men and First Nations men and immigrant men, you know. And then it started also getting to be where I became more and more aware of criticism that lesbians were holding, and that women in general were holding, both to the organization and what they were doing and their presumptions on who was actually the most affected.”
As we move toward the end of funding for this oral history project, we are continuing to document and remember AIDS activism with a commitment to challenging anti-Black racism and to centering those most affected by the ongoing crisis. As Doug said towards the end of our conversation with him, “You know, as James Baldwin would say, you can’t change anything unless you face it.” On this World AIDS Day, we reflect on what it means to face the ways that racism has shaped and continues to shape people’s experience of HIV and AIDS.
Here at the AIDS activist history project we were glad to have some in-person time this week with project lead Gary Kinsman, who was here in Ottawa as part of the We Demand An Apology Network to receive the Prime Minister’s statement acknowledging some Canada’s egregious treatment of LGBT people who worked in the public service and for the military. We were also happy to be able to interview another member of the network, who was involved in AIDS activism as part of ACT UP Halifax (that interview will be posted as soon as it’s transcribed and checked).
Talking through the apology made us think about the ways that anti-AIDS practices have been entwined with the purges people experienced (and about the ways that criminalized, undocumented, and non-citizen queer, gay, lesbian, Two-spirit, and trans people are still targeted by harmful government practices in ways not acknowledged by this week’s apology). One of our interviewees was also in town as part of the Network to witness the apology, and we wanted to highlight some of his story and invite you to read more about his remarkable work. Simon Thwaites was a master seaman in the Navy, holding a security clearance for his work. He was diagnosed as HIV positive after he participated in one of regular blood drives on board ship.
And then the weirdness started happening, because the base hospital, for whatever reason, passed the information on to the military police. So, then I was investigated by the military police. First, when they dragged me down to their building that they had downtown, the first words that they asked were, “Are you gay?” And I kind of looked at them and I thought, “Who cares?” Like, I got HIV. I’m going to die in, well, two-and-a-half years now. So, I just said, “Yeah,” I was like, “So?” And they said, “Well, you know, you could be coerced, manipulated or, you know, to reveal secrets and that,” because my trade was secret. And I’m like, “Well, how are they going to do that? You already know. [laughter] I mean, I’m telling you.” It didn’t make sense to me. I didn’t really care because, as far as I was concerned, I was being written off anyway. And so, I was still figuring out if I was going to be alive tomorrow, let alone them worrying about if I was gay or not. That was the last thing on my list of things. So, they said, “Fine.” Anyway, I went back to work. Next thing I know, then I get dragged out of where I was working and started to sweep floors. So, I ended up sweeping floors in the Drill Shed in CFB (Canadian Forces Base) Stadacona, which actually is a punishment. People who do things wrong and get a lot of demerits kind of thing, they end up sweeping floors or they end up cleaning dishes or doing what we call kitchen duties. And that was the other job I did, kitchen duties. So, then my friends are like, “Well, why are you doing that?” because I was senior to a lot of my friends rank-wise.
Simon was demoted and spent the next years doing menial labor. As he told us:
The laugh about it is that on my files with the military, I actually have accelerated recommendations for promotions. I have letters of reference. Whatever job I had done, I had done well. That’s just my work ethic. Just like, get on with it. I don’t BS. I don’t mess around. Do you want me to sweep the floor? Well, fine. I’ll sweep the floor and I’ll do it well. If you want me to clean the pots and pans, I’ll clean them up; I’ll reorganize the whole kitchen. I just go crazy. Especially if I’m trying to work because, obviously, I’m trying to deal with the other issue, so I countered it with work hard and that way your brain doesn’t think so much. The irony was while I was in these odd jobs, I had ships actually applying to have me posted to them to be on them because I was required or needed by them to fill a position because of my rank and the fact that I normally was a supervisor. So, it kind of undermined their argument when the actual lawsuit happened that my services were no longer required. Okay, I have three ships asking for my services.
Having denied Simon his skilled work, the Navy then denied him a medical pension, terminating him in 1989. He remembered, “If they had left me for three more months in the military, I would’ve had a medical pension, but by kicking me out three months previously, I lost that because you had to have ten years. And that would’ve been my ten-year, my magical mini-medical pension they call it, so the ten-year mark. Unfortunately, they let me go.”
Simon was an active and important part of AIDS organizing in the Nova Scotia context, directly supporting many other people living with HIV and AIDS and participating in organizing spaces. The decision about his legal case for wrongful termination is a vital piece of the history of workplace disability law. We are proud to have Simon’s interview included in our oral history work and encourage you to check it out.